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Before-and-After Photos That Win Jobs (and How to Take Them)

A homeowner comparing three contractors can't judge your wiring or your prep work. They can judge a photo. A matched before-and-after shows the problem, the result, and that you were the one standing there for both. Here's how to take them so they line up, and where to put them once you have them.

Take the before. That's the step everyone skips

Most contractors have plenty of "after" photos and almost no "before" photos. The after is easy to remember, because you're proud of it. The before has to be taken when the job looks its worst and you're thinking about getting started.

Make it part of the routine. When you walk in to start, before a single tool comes out, take the photo. It takes thirty seconds, and you can't go back for it later.

Same spot, same height, same direction

The pair only works if the two photos match. If the before is shot from the doorway and the after from the middle of the room, the eye can't compare them. Three things keep them lined up.

  • Pick a landmark and stand on it. A doorway, a corner of the driveway, the end of a counter. Stand in the same place for both shots.
  • Hold the phone at chest height. It's the easiest height to repeat. Don't crouch for one and stand for the other.
  • Frame something that won't change. A window, a door frame, a tree, the corner of the house. Put it in the same part of the frame both times, and the rest falls into place.

A simple trick: before you take the after, pull up the before on your phone and match it. It takes ten seconds and it's the difference between a pair and two random photos.

Turn the phone sideways and step back

Shoot wide, not tall. Websites, Google and Facebook all show wide photos better, and a wide shot fits more of the job.

Then step back farther than feels right. A close-up of a new faucet shows a faucet. A shot of the whole vanity shows the job. People want to see the room, the roof, the whole fence line. You can always crop in later. You can't crop out.

Give both photos the same light

A dark before and a bright after looks like a trick, even when it isn't. Take both with the lights on, or both in daylight. Outside, try to shoot at about the same time of day, with the sun behind you. If the before was taken on a gray morning and the after at sunset, the difference people notice will be the sky.

Clean up before the after

The after photo is the one that sells, so give it two minutes. Pick up the drop cloths, move the ladder and the bucket out of the frame, wipe the surface, and close the cabinet doors. Nobody hires the contractor whose finished job has a shop vac in the middle of it.

What to keep out of the frame

  • People's faces, including your own crew, unless they've said yes.
  • House numbers, license plates and mail. A customer who sees their address on your website will not be sending you referrals.
  • Family photos, kids' rooms, anything personal. Angle away from it or ask them to move it.

And ask first. "Mind if I take a couple of photos for my website? I won't show the address." Almost everyone says yes, and asking is part of looking professional.

Three good pairs beat thirty random photos

You don't need a gallery of every job. You need three or four pairs that show the kinds of work you want more of. If you want bathroom remodels, lead with a bathroom. If you're tired of small patch jobs, don't feature one.

Label each pair with the job and the town: "Kitchen repaint, Valrico" or "Panel upgrade, Riverview." That tells the next customer what you do and where you do it, and it helps you show up when someone searches for that job in that town.

Where to put them

  • Your website, next to the service they belong to. A slider that lets the visitor drag between before and after holds attention longer than two photos side by side.
  • Your Google Business Profile. Add them under Photos. Listings with real job photos look active, and it's free.
  • Facebook. One pair per post, with one line about the job. Skip the collage apps.

Two things not to do

Don't use someone else's work. Stock photos and pictures from a supplier's catalog are fine as decoration, but never label them as your jobs. Customers ask about the photos, and "that one's not mine" ends the conversation.

Don't run them through filters. A little brightening is fine. Heavy editing makes real work look fake, and the whole point of the pair is that it's real.

The short version

Take the before when you walk in. Stand in the same spot for the after. Shoot wide, match the light, clean up first, and keep addresses and faces out. Three labeled pairs on your site and your Google profile will do more than a page of text about quality.

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